Continuing on bits of Thomas Aquinas: Selected Philosophical Writings, completing our analysis of his arguments for the existence of God and then turning to eternity and the possibility of actually talking about God, given our finitude.
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Singer-songwriter-multi-instrumentalist Jonathan (currently based in Minneapolis) has been putting out indie rock solo albums since 1992, but has also ventured into traditional Finnish folk music and has multiple releases of tunes that I won't call Christian rock, but more rock that grapples with being someone who goes to church.
We discuss "Diner by the Train" (and listen at the end to "Evidence") from Waves (2025), "Home Unknown" from Look Up (2015), "Tape" from Recital (1997), and "Failing Rockstar Attempt" from Sound Theology (2000). Intro: "When I Get Bored" from 11 Years and 28 Days in the Yellow Room (1992) More at junathanrundman.com.
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On selections from Thomas Aquinas: Selected Philosophical Writings, mostly taken from the Summa Theologica (1268).
Given our flawed, finite human nature, how do we fit into the universe? In particular, how can we know and talk about things far beyond our experience such as God and eternity? In this part, we discuss arguments for the existence of God.
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How does your body talk to you? Your favorite hosts-of-a-philosophy-and-improv-comedy show Mark Linsenmayer and Merry Mary Hynes re-connect after both being sick to get a bit Halloweeny so as to talk about various food-related monsters, experiencing art by disgraced creators, inner homunculi a la "Inside Out," movie talk, Nietzsche's nose fetish, and more.
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Continuing on "Directions for Decomposition" from A Short History of Decay (1949). What is it that humans are inevitably trying to avoid that seems so bad to us? It's our existential separation from others, our essential, incommunicable solitude. Plus, ennui, sloth, and being a "traitor to existence."
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